“The Black Nag” is a traditional English country dance and accompanying tune that first appeared in John Playford’s seminal 1651 publication, The English Dancing Master. This collection featured 105 dances and melodies, serving as a cornerstone for English folk dance preservation. The dance’s enduring popularity over the centuries underscores its significance in the realm of traditional English dance.
Historical Context of “The Black Nag”
In the 17th century, English country dances were a prevalent social activity across various societal classes. Playford’s The English Dancing Master sought to compile and standardize these dances, ensuring their transmission to future generations. “The Black Nag” stands out as one of the notable entries in this compilation, characterized by its lively tune and engaging choreography. The term “nag” historically refers to a small horse, and while the exact inspiration behind the dance’s title remains uncertain, it may allude to a spirited horse or a colloquial expression from that era.
Choreography and Structure
Designed for three couples arranged in a longways set, “The Black Nag” unfolds in three distinct parts, each with unique figures and movements.
- First Part:
- A Section: Couples lead up a double and fall back twice, emphasizing coordination and grace.
- B Section: Sequential slipping movements are performed, with each couple taking hands and sliding up or down the set, followed by a turn single.
- Second Part:
- A Section: Partners execute siding movements, approaching and retreating with a shoulder lead.
- B Section: A series of changes occur where designated dancers swap places, culminating in a turn single to reestablish original positions.
- Third Part:
- A Section: Partners engage in arming, linking right and then left arms to turn each other.
- B Section: Men initiate a hey (a weaving figure) for three, followed by the women, showcasing intricate footwork and timing.
The dance’s structure not only highlights individual skill but also fosters a sense of unity and collaboration among participants.
Enduring Legacy
The sustained appeal of “The Black Nag” can be attributed to its dynamic movements and the social interaction it promotes. Its inclusion in various dance repertoires over the centuries attests to its adaptability and charm. Modern interpretations and performances continue to celebrate this classic, ensuring its place in the living tradition of English country dance.
For those interested in experiencing “The Black Nag” firsthand, here’s a performance that captures its essence:
FAQs
1. What is the origin of “The Black Nag”?
“The Black Nag” originated from John Playford’s 1651 publication, The English Dancing Master, a comprehensive collection of English country dances.
2. What does the term “nag” signify in the dance’s title?
Historically, “nag” refers to a small horse. The exact inspiration for the dance’s title is unclear, but it may relate to a spirited horse or a colloquial term from the 17th century.
3. How is “The Black Nag” structured?
The dance is organized into three parts, each featuring distinct movements such as leading up a double, siding, arming, and heys for three dancers.
4. Why has “The Black Nag” remained popular over the centuries?
Its lively choreography, social engagement, and adaptability have contributed to its enduring appeal in both historical and contemporary dance communities.
5. Where can I learn to dance “The Black Nag”?
Many folk dance groups and historical dance societies offer workshops and classes on traditional dances like “The Black Nag.” Additionally, online tutorials and videos provide accessible learning resources.
